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DTSTART;TZID=Europe/London:20240810T151500
DTEND;TZID=Europe/London:20240810T171500
DTSTAMP:20240807T083555Z
CREATED:20240805T104015Z
LAST-MODIFIED:20240807T083555Z
UID:10000156-1723302900-1723310100@efi.ed.ac.uk
SUMMARY:Margaret Atwood: Practical Utopias – An Exploration of the Possible
DESCRIPTION:As part of our Future Tense series\, and in partnership with Future Library\, we are thrilled to present Margaret Atwood\, appearing remotely\, illuminating a concept that has gripped her extraordinary imagination of late\, and offering a way forward from the most intractable challenges of our time – Practical Utopias. Can we reset the relationship between people and planet by bringing a new way of thinking to some of our most fundamental and pressing questions: what kind of homes should we live in? What should we eat? How can we share space on this planet together? Chaired by Naomi Alderman. \n\n\n\nThere will be no signing after this event as Margaret Atwood is appearing remotely. \n\n\n\n\n\n\n\n\n\n\n\nSupported by Edinburgh Futures Institute.
URL:https://efi.ed.ac.uk/event/margaret-atwood-practical-utopias-an-exploration-of-the-possible/
LOCATION:Edinburgh Futures Institute\, 1 Lauriston Place\, Edinburgh\, EH3 9EF\, United Kingdom
CATEGORIES:Edinburgh International Book Festival,Talk/Discussion
ATTACH;FMTTYPE=image/webp:https://efi.ed.ac.uk/wp-content/uploads/2024/08/Margaret-Atwood.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240723T160000
DTEND;TZID=Europe/London:20240723T180000
DTSTAMP:20240530T075311Z
CREATED:20240527T084258Z
LAST-MODIFIED:20240530T075311Z
UID:10000143-1721750400-1721757600@efi.ed.ac.uk
SUMMARY:Ethical responsibilities in displaying provocative AI artistic experiences
DESCRIPTION:Artists and creative makers are increasingly aware of the ethical quandaries associated with devising data-driven art and creative experiences. More care is being put into the data sets and models artists use\, licencing and IP issues\, and environmental impacts of data-driven art. But what are the ethical responsibilities artists have for displaying\, performing and exhibiting provocative experiences? Is there a unique role that AI plays in artistic experiences which are designed to provoke emotional reactions and new perspectives? What is the duty of care that artists have towards audiences\, particularly vulnerable audiences\, and how does the role of deception in artistic creations play into this duty? Are there parallels between ethics issues arising in the arts and other disciplines like medicine which could usefully contribute to guidance and best practice in this area? Where does responsibility lie for these concerns between the artist and institutions curating and displaying art\, and how are institutions engaging with these issues? At the end of the day\, it a “garbage in\, garbage out” situation? \n\n\n\nPlease join our panel of artists\, curators\, and researchers working across multiple disciplines to kick-start a participatory discussion exploring these challenging questions. \n\n\n\nPanelists\n\n\n\nCaitlin McDonald (panel chair): Postdoctoral Research Associate\, Creative Informatics. Caitlin’s data-informed memoir artworks explore vital questions about ethical responsibilities creatives have towards themselves as well as audiences. \n\n\n\nTheodore Koterwas: Lecturer\, Design Informatics. Theodore’s corpus of artwork draws critical attention to aspects of daily experience that often go unnoticed but profoundly impact on how we understand each other\, technology and the environment. \n\n\n\nKam Chan: co-Vice President\, Visual Arts Scotland; Engagement Producer\, Data + Design Lab\, EFI. As an artist and an artistic producer\, Kam is interested in the intersections of communication\, connection and consensus\, particularly expanding the narrative of how we inhabit and share spaces beyond ourselves. \n\n\n\nMark Daniels: Executive Director\, New Media Scotland. Mark’s curatorial work fosters artist and audience engagement with all forms of new media practice\, particularly in innovative and emergent creative practice as Chair of the Alt-w Fund. \n\n\n\nAgenda\n\n\n\n4:00-4:10Arrivals & introduction by Creativity\, AI and the Human Cluster Lead Caterina Moruzzi4:10-4:50Panel 4:50-4:55Pre-Q&A audience discussion activity in pairs/small groups4:50-5:05Q&A with panel5:05-6:00Mingling\, discussion and food6:00Disperse (to nearby pub if discussion is still lively!)\n\n\n\nSponsored by the Creativity\, AI and the Human Cluster and by Creative Informatics. \n\n\n\nImage: “Theodore Koterwas\, “When Do You Give Yourself Away?” Image credit: Chris Scott\, ‘There be Dragons: navigating the uncharted data territories of creative practice’ exhibition\, September 2022.”
URL:https://efi.ed.ac.uk/event/ethical-responsibilities-in-displaying-provocative-ai-artistic-experiences/
LOCATION:Bayes Centre\, The University of Edinburgh\, Room G.03\, 47 Potterrow\, Edinburgh\, Edinburgh\, EH8 9BT\, United Kingdom
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/05/https___cdn.evbuc_.com_images_774810359_240867516148_1_original.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240626T140000
DTEND;TZID=Europe/London:20240626T160000
DTSTAMP:20240614T155445Z
CREATED:20240614T155443Z
LAST-MODIFIED:20240614T155445Z
UID:10000148-1719410400-1719417600@efi.ed.ac.uk
SUMMARY:Digital Cultural Heritage at Edinburgh Futures Institute: Research Exchange
DESCRIPTION:This event is open to all interested researchers and cultural heritage professionals. All Digital Cultural Heritage Cluster members past and present are invited\, as well as anyone from within or beyond the University of Edinburgh who is interested in digital cultural heritage research. Hear about some of the latest research and engagement projects led by DCH members\, make new connections and get inspired. \n\n\n\n2:00 – Arrival and coffee \n\n\n\n2:15 – Welcome \n\n\n\n2:20 – Dr Clare Llewellyn\, Lecturer in Governance\, Data and Technology: ‘Messaging a Minotaur: Using social media content from exhibitions to enhance metadata’ \n\n\n\n– We are excited to welcome Clare to share findings from the AHRC/NEH funded Enriching Exhibition Scholarship project. \n\n\n\n2:50 – Short talks \n\n\n\n– Digital Cultural Heritage projects and opportunities in and around the EFI building – Patricia Erskine \n\n\n\n– Building a Scottish community archaeology database – Emily Johnston \n\n\n\n– Infrastructure Futures for Digital Cultural Heritage – Melissa Terras\, Phil Sheail\, Cate Schofield & Jen Ross \n\n\n\n3:35 – Networking \n\n\n\n4pm – End
URL:https://efi.ed.ac.uk/event/digital-cultural-heritage-at-edinburgh-futures-institute-research-exchange/
LOCATION:Edinburgh Futures Institute\, 1 Lauriston Place\, Edinburgh\, EH3 9EF\, United Kingdom
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/06/https___cdn.evbuc_.com_images_780385189_240867516148_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240620T193000
DTEND;TZID=Europe/London:20240620T203000
DTSTAMP:20240605T103333Z
CREATED:20240528T121242Z
LAST-MODIFIED:20240605T103333Z
UID:10000144-1718911800-1718915400@efi.ed.ac.uk
SUMMARY:How to Reclaim Our Humanity in the Age of AI
DESCRIPTION:How can we reclaim our humanity in an age of machine thinking? \n\n\n\nJoin us this June to celebrate publication of Shannon Vallor’s latest work The AI Mirror\, one of the most important books we can read right now to find our way through the AI-hype headlines and harness its power to reinvigorate our sense of human agency and possibility. \n\n\n\nThe AI Mirror\n\n\n\nFor many\, technology offers hope for the future—that promise of shared human flourishing and liberation that always seems to elude our species. Artificial intelligence (AI) technologies spark this hope in a particular way. They promise a future in which human limits and frailties are finally overcome—not by us\, but by our machines. \n\n\n\nYet rather than open new futures\, today’s powerful AI technologies reproduce the past. Forged from oceans of our data into immensely powerful but flawed mirrors\, they reflect the same errors\, biases\, and failures of wisdom that we strive to escape. Our new digital mirrors point backward. They show only where the data say that we have already been\, never where we might venture together for the first time. \n\n\n\nTo meet today’s grave challenges to our species and our planet\, we will need something new from AI\, and from ourselves. \n\n\n\nShannon Vallor makes a wide-ranging\, prophetic\, and philosophical case for what AI could be: a way to reclaim our human potential for moral and intellectual growth\, rather than lose ourselves in mirrors of the past. Rejecting prophecies of doom\, she encourages us to pursue technology that helps us recover our sense of the possible\, and with it the confidence and courage to repair a broken world. Vallor calls us to rethink what AI is and can be\, and what we want to be with it. \n\n\n\nAbout Shannon Vallor\n\n\n\nShannon Vallor is the Baillie Gifford Professor in the Ethics of Data and Artificial Intelligence in the Department of Philosophy at the University of Edinburgh\, where she directs the Centre for Technomoral Futures at Edinburgh Futures Institute. She is a Fellow of the Alan Turing Institute and former AI Ethicist at Google. Her work explores how new technologies reshape human moral and intellectual character and includes advising government and industry on the ethical design and use of AI. She is the author of Technology and the Virtues: A Philosophical Guide to a Future Worth Wanting (Oxford\, 2016).
URL:https://efi.ed.ac.uk/event/shannon-vallor-how-to-reclaim-our-humanity-in-the-age-of-ai/
LOCATION:Topping & Company Booksellers of Edinburgh\, 2 Blenheim Place\, Edinburgh\, EH7 5JH
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/05/The-AI-mirror-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240605T153000
DTEND;TZID=Europe/London:20240605T183000
DTSTAMP:20240711T105212Z
CREATED:20240514T143327Z
LAST-MODIFIED:20240711T105212Z
UID:10000140-1717601400-1717612200@efi.ed.ac.uk
SUMMARY:Where are AI’s publics?
DESCRIPTION:Image credit: Anton Grabolle / Better Images of AI / AI Architecture / CC-BY 4.0 \n\n\n\nNoortje Marres\, Bettina Nissen and Alison Powell will invite discussion on the public’s role in Artificial Intelligence (AI). Through prompts and engagements with a diverse audience\, they’ll discuss tilting the balance away from those actors and agencies who usually wield the power. Opening a space for alternatives\, they’ll explore possibilities for involving the public in the developments and uses of AI and how it is governed and regulated. \n\n\n\nAbout this event\n\n\n\nWhat role should the public have in shaping Artificial Intelligence (AI)? Should the public have a voice in how AI is being developed and used\, and how it’s governed and regulated? And how might a diverse cross section of the public be involved in the decisions made by big tech\, regulatory bodies\, and local and national government? \n\n\n\nAI is having an undeniable impact on daily life. From the apps and services we use on our digital devices to the infrastructures that surround us in our built environments\, AI is being deployed to categorise and classify complex information and in some cases make decisions on people’s behalf. Take\, for example\, the role of AI in healthcare and medical diagnosis\, the use of AI in self-driving cars and transport infrastructure\, or wider civic or urban planning policies being informed by AI. The range of innovations that fall under AI are cutting across all walks of life. \n\n\n\nGiven this widespread and pervasive presence of AI in the everyday\, what’s startling is the absence of a public voice in decision making\, and in particular decisions being made about AI safety\, governance and regulation. The social and ethical challenges arising from AI continue to attract attention\, but commentary and decisions are circling amongst sector leaders\, policy makers\, and politicians. The question increasingly being asked is “where are the public?” \n\n\n\nThis open event will invite discussion on the public’s role in AI. How should the public be involved in AI’s development and use\, and in what ways might the public be consulted and engaged in the decisions likely to have significant impacts on their lives. Our speakers\, Noortje Marres\, Bettina Nissen and Alison Powell will respond to prompts and engage with a diverse audience around questions of public involvement and participation in AI. The aim will be to shift the focal point of decision making away from the usual actors\, and make the space for alternative voices and ideas in AI. \n\n\n\n \n\n\n\n15:30 – 17:30 In conversation: Noortje Marres\, Bettina Nissen and Alison Powell17:30 – 18:30Reception\n\n\n\nLimited seats at Inspace are available\, please book tickets in advance. \n\n\n\nContributors\n\n\n\n\n\nNoortje Marres\n\n\n\n\n\n\n\n\n\n\n\n\nNoortje Marres is Professor in Science\, Technology and Society in the Centre for Interdisciplinary Methodologies at the University of Warwick (UK). She studied sociology and philosophy of science and technology at the University of Amsterdam\, and has conducted extensive research on participation and publics in technological societies. Noortje is currently developing new work in the area of AI and Society\, with a special focus on the curation of environments for AI innovation in society and the implications for public participation. She just completed a Leverhulme Fellowship on intelligent technology testing beyond the laboratory\, and is the project lead for the scoping project “AI in the street” as part of the AHRC-funded BRAID programme for Bridging Divides in Responsible AI. Noortje also is a Visiting Professor in the Media of Cooperation research centre at the University of Siegen (Germany) and an external faculty member of the Institute for Advanced Study\, University of Amsterdam (the Netherlands). She has published three books Material Participation (2012)\, Digital Sociology (2017) and Inventing the Social (2018\, co-edited with Michael Guggenheim and Alex Wilkie). \n\n\n\n\n\n\n\n\n\n\nDr Bettina Nissen\n\n\n\n\n\n\n\n\n\n\n\n\nDr Bettina Nissen is a Lecturer in Interaction Design and researcher in Design Informatics at the University of Edinburgh. With a background in product and interaction design\, digital fabrication and data physicalisation\, her practice-based research focuses on engaging audiences with complex technological concepts and data through tangible means and makings. Bettina completed her AHRC-funded PhD in Human Computer Interaction at Newcastle University in 2018 and has recently worked on a series of RCUK-funded research projects spanning topics of trust and consent in pervasive environments (part of EPSRC-funded PACTMAN) and the future of value(s) (part of ESRC-funded collaboration After Money with the Royal Bank of Scotland and New Economics Foundation). Bettina is currently working with the People’s Bank of Govanhill and artist Ailie Rutherford in Glasgow to explore feminist economic approaches to cryptocurrencies through craft and knitting. \n\n\n\n\n\n\n\n\n\n\nDr Alison Powell\n\n\n\n\n\n\n\n\n\n\n\n\nDr Alison Powell is an Associate Professor in the Department of Media and Communications at LSE\, where she also serves as Programme Director for the MSc Media and Communications (Data and Society). She researches rights\, ethics and values in technology design – focusing on living well together in cities and imagining alternative media futures. \n\n\n\n\n\n\n\n\nThis event is organised by the AHRC BRAID Programme funded project\, AI in the Street: Scoping everyday observatories for public engagement with connected and automated urban environments. The event has been supported by the AHRC BRAID Programme in conjunction with the Edinburgh Futures Institute and Inspace\, part of the Institute for Design Informatics. \n\n\n\nAI in the Street is a collaborative project exploring the divergences between principles of responsible AI and the messy reality of AI as encountered in the street\, in the form of automated vehicles and surveillance infrastructure. The aim is to ground understandings of AI in lived experiences. The project’s collaborators are based at the University of Warwick\, University of Edinburgh\, King’s College London\, Cambridge University\, Monash University and Careful Industries.
URL:https://efi.ed.ac.uk/event/where-are-ais-publics/
LOCATION:Inspace\, 1 Crichton Street\, Edinburgh\, Edinburgh\, EH8 9LE\, United Kingdom
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/05/Where-are-AIs-publics.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240529T160000
DTEND;TZID=Europe/London:20240529T173000
DTSTAMP:20240711T105212Z
CREATED:20240429T143734Z
LAST-MODIFIED:20240711T105212Z
UID:10000135-1716998400-1717003800@efi.ed.ac.uk
SUMMARY:Imagining AI: computing stories in a museum context
DESCRIPTION:Oxford’s Bodleian Library is one of the oldest libraries in Europe\, and the second largest in the UK\, holding over 13 million printed items alongside archives of figures such Byron\, Shelley and Tolkien. In recent years it has sought to work with mathematicians and scientists\, as well as its more traditional humanities partners\, to create compelling displays\, based on Oxford’s collections\, that educate and inspire.Historians of mathematics and science are key to this process\, providing accurate contemporary scholarship and linking specialist items to their broader context. At the same time\, designing such displays involves imagination and creativity in bringing items to new audiences through the power of the object alone\, often supported only by a brief 20 word caption. We contrast two recent such displays\, looking at the principles of selection\, the lessons learned\, and the techniques used to evaluate them.In 2015 a small display celebrated the bicentenary of Ada Lovelace\, bringing to the fore her mathematical ability through a focus on archival materials that had not previously been studied by historians of mathematics. The display then transferred to the worlds largest Computer  Museum\, in Mountain View California. Oxford’s Lovelace work was submitted as an “Impact Case Study” for the UK’s 2022 Research Evaluation Framework.In 2022 a display entitled “Imagining AI” used a variety of materials in the collections to illustrate early work on data (numerical\, logical and text)\, algorithms and computation that underpins modern AI. By focussing on simple examples\, with calculations small enough to be done by hand\, we drew attention to issues and challenges for AI that pre-date modern computation and shed new light on questions such as AI ethics.  Exhibits included Florence Nightingale’s rose diagram\, as an early example of data visualisation; Jevon’s reasoning piano\, that reduced reasoning a concrete process involving wood and wire; and Christopher Strachey’s early computer poetry. We conclude with a broader look at the context of mathematics in museums\, and the opportunities such work offers for collaborative research and broader impact. \n\n\n\nSpeaker Biography\n\n\n\n\n\nUrsula Martin\n\n\n\n\n\n\n\n\n\n\n\n\nUrsula Martin CBE FREng FRSE  is a computer scientist and mathematician\, whose work recently broadened from the highly technical to collaborate with humanities and social science scholars on the culture and context of mathematics. Now retired\, she formerly held professorial roles at Edinburgh and Oxford\, funded 2014-2023 by an EPSRC Fellowship.
URL:https://efi.ed.ac.uk/event/project-deep-dive-ursula-martin/
LOCATION:Research Suite – 6th Floor\, University of Edinburgh Main Library\, 30 George Square\, Edinburgh\, EH8 9LJ
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2024/04/Ursula-Project-Deep-Dive.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240514T150000
DTEND;TZID=Europe/London:20240514T163000
DTSTAMP:20240513T145306Z
CREATED:20240513T145125Z
LAST-MODIFIED:20240513T145306Z
UID:10000139-1715698800-1715704200@efi.ed.ac.uk
SUMMARY:Liquidity and execution: The resiliency effect on institutional trading costs
DESCRIPTION:Resiliency is an important dimension of market liquidity. In this paper we aim to bridge the gap between resiliency and institutional trading costs. By analysing a proprietary parent order dataset which is synchronised with depth and execution data\, we find that institutional trading costs increase with non-resiliency\, even after controlling for key prominent contributing factors of impact costs such as order size\, participation rate and quoted spread. The resiliency effect is robust to trade direction\, subperiods\, and various order aggregation methods. In addition\, we examine how the trading schedule of parent orders affects impact costs under different resiliency profiles. Overall\, we establish that resiliency is a considerable determinant contributing to institutional trading costs. \n\n\n\nAbout Dr Petko Kalev \n\n\n\nDr Petko Kalev is an Honorary Professor at La Trobe University Business School\, La Trobe University\, Melbourne. Since finishing his PhD in Financial Econometrics at Monash University in 2002\, Dr Kalev has been actively involved in high-quality research\, PhD supervision\, mentoring\, partnership with the industry and leadership. Petko’s main research interests are in: (i) Corporate Finance (ii) Market Microstructure (iii) Behavioural Issues and; (iv) Carbon Finance. Professor Kalev secured over $4.35 million CAT3/4 funding from the RoZetta Institute (formerly Capital Markets CRC for funding/placement of industry PhD students). His publications have appeared in top-tier journals such as Journal of Financial and Quantitative Analysis\, Energy Economics\, Journal of Banking & Finance\, Journal of Economic Dynamics and Control\, and Scientific Reposts among others. \n\n\n\nPlease note: this event is for University of Edinburgh staff and students only and is not open to the public. Guests will be required to sign in and show staff ID.
URL:https://efi.ed.ac.uk/event/liquidity-and-execution-the-resiliency-effect-on-institutional-trading-costs/
LOCATION:Room 1.60\, Edinburgh Futures Institute\, 1 Lauriston Place\, Edinburgh\, EH3 9EF\, United Kingdom
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/05/sirisvisual-J4M9FKPEaUA-unsplash-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240510T170000
DTEND;TZID=Europe/London:20240510T200000
DTSTAMP:20240725T095236Z
CREATED:20240422T092707Z
LAST-MODIFIED:20240725T095236Z
UID:10000134-1715360400-1715371200@efi.ed.ac.uk
SUMMARY:Creative Feedback: The Feats and Failures of Technology
DESCRIPTION:To what extent can human creators exercise control on the technological tools they are using? And how does the control that technology exerts on them influence the creative process? \n\n\n\nThis event will feature two audiovisual performances – Figure Infinity by Louis McHugh and Jung In Jung and Traumgraz by Jung In Jung and Lynda Clark – which reflect on issues around the platformisation of labour\, communication dynamics between humans and Artificial Intelligence\, disinformation\, and creative agency. The performances will be followed by a panel discussion where artists\, technologists\, and researchers from the University of Edinburgh and Abertay University will engage in conversations on the interplay between technology\, creativity\, and human agency. The aim of the event is to foreground the opportunities and limitations of the feedback between humans and machines and to suggest creative directions to promote human expression in the digital age. \n\n\n\nThe event will also mark the launch of the new research cluster “Creativity\, AI\, and the Human”\, led by Caterina Moruzzi. \n\n\n\nThe panel will be followed by a reception in the Inspace Gallery. \n\n\n\nImage credit: Still from Figure Infinity performance\, xCoAx 2023\, photo by Caterina Moruzzi \n\n\n\n\n\n\n\nRunning order:\n\n\n\n17:00Doors open17:30Traumgraz17:50Welcome + break18:10 Figure Infinity18:30Panel19:00Reception20:00End\n\n\n\n\n\n\n\nPerformers and Speakers:\n\n\n\n\n\nLouis McHugh\n\n\n\n\n\n\n\n\n\n\n\n\nLouis McHugh\, is a sound and new media artist and engineer currently based in Glasgow. Often generating bespoke software and hardware for his projects\, he works with sound\, video and lighting to create site-specific installations\, fixed-media work\, theatrical design and live improvisational performances. He is currently exploring ideas to do with emergent systems\, taking inspiration from biological structures\, social media interactions and artificial intelligence. He currently works as Audio Studio Manager at the Edinburgh College of Art and is a resident DJ with Radio Buena Vida\, Glasgow where he host’s a monthly experimental music show; The Rhizome. \n\n\n\n\n\n\n\n\n\n\nJung In Jung\n\n\n\n\n\n\n\n\n\n\n\n\nJung In Jung\, is a Lecturer in Creative Computing at the School of Design and Informatics\, Abertay University. She is a sound artist and researcher. She has produced interactive sound and dance collaborations with contemporary dancers and presented them at various international festivals and conferences. She explores various ways to create interactive forms of performance using game technologies and AI/ML tools. In the last recent years\, she has investigated anonymous play in a VR platform using hand gestures and sound as a method to deviate from biases for her post-doc research at InGAME. \n\n\n\n\n\n\n\n\n\n\nAlex McCabe\n\n\n\n\n\n\n\n\n\n\n\n\nAlex McCabe\, is a Glasgow-based performer\, performance maker and facilitator in dance and music. With this dual specialisation he has worked extensively and internationally in choreography for opera (Wexford Festival Opera; Teatro Reggio; Scottish Opera) and experimental interdisciplinary projects (British ParaOrchestra\, Marc Brew; Fattoria Vittadini). Alex works with various organisations in Scotland towards broadening access to experiences and careers in dance and music\, most significantly through his project SIIATE\, supported by the Scotland-Europe Fund. Trained in dance and choreographic practice through Dance Base Edinburgh’s DEBS\, Alex also holds an MA\, PhD and Teaching Excellence Award from the University of Glasgow. \n\n\n\n\n\n\n\n\n\n\nLynda Clark\n\n\n\n\n\n\n\n\n\n\n\n\nLynda Clark\, is Lecturer in Creative Writing (Interdisciplinary Futures) and Programme Director of the Narrative Futures MSc at the University of Edinburgh. She is a novelist\, short story writer and creator of interactive narratives. Lynda is primarily interested in how new technologies shape us and the world around us. This manifests in her prose\, interactive stories and video game work. She also has a keen interest in depicting unusual and disordered voices in creative forms. \n\n\n\n\n\n\n\n\n\n\nJadgeep Ahluwalia\n\n\n\n\n\n\n\n\n\n\n\n\nJadgeep Ahluwalia\, is a Research Fellow at Abertay University\, specialising in the fields of image super-resolution\, image generation\, and the optimization of deep learning algorithms. His research draws inspiration from the human visual system\, guiding the adaptation of artificial intelligence models to create super-resolution images with remarkable perceptual accuracy. He also has experience in the research & development of machine learning algorithms for research startups and charity organisations particularly in the fields of material sciences\, health and social care and bioinformatics. \n\n\n\n\n\n\n\n\n\n\nMartin Zeilinger\n\n\n\n\n\n\n\n\n\n\n\n\nMartin Zeilinger is Senior Lecturer in Computational Arts and Technology at Abertay University. His work as a researcher and curator focuses on artistic and activist experimentation with emerging technologies\, and on exploring the cultural and societal impacts of such technologies. He has published widely on AI in digital culture\, and is the author of the monograph Tactical Entanglements: AI Art\, Creative Agency\, and the Limits of Intellectual Property (2021). \n\n\n\n\n\n\n\n\n\n\nPanel chair: Caterina Moruzzi\n\n\n\n\n\n\n\n\n\n\n\n\nPanel chair: Caterina Moruzzi\, is a Chancellor’s Fellow in the Institute for Design Informatics\, School of Design at the University of Edinburgh. Her research lies at the intersection between the philosophy of art\, history and philosophy of human and artificial creativity\, and the philosophy of AI. In her ongoing projects\, she collaborates with researchers\, artists\, and technology companies to investigate modes of shared agency and creativity between humans\, data\, and technology. She is lead of the new research cluster “Creativity\, AI\, and the Human” at the Edinburgh Futures Institute\, University of Edinburgh. \n\n\n\n\n\n\n\n\n\n\n\n\nPerformances:\n\n\n\nTraumgraz (audiovisual performance with interactive story)\, by Jung In Jung and Lynda Clark\n\n\n\nThe work is inspired by the anthropomorphism term ‘hallucination’ used for artificial intelligence’s confident response but unjustified false information. An interactive story is written between a large language model and Lynda Clark based on pictures sent from Graz by Jung In Jung during her Styrian Artist in Residency (St.A.i.R) and is set in a building with escalating levels of weirdness. Jung performs live with the randomly generated story by choosing paths along with sound materials she generated by experimenting with various AI models. \n\n\n\nFigure Infinity (audio-visual performance)\, by Louis McHugh and Jung In Jung\n\n\n\nFigure Infinity is an audio-visual performance project that connects human performers in a self-reflexive network of control and communication with Artificial Intelligence. It responds to recent narratives surrounding “AI”\, which largely obscure the collective human endeavour that produced the data these systems are built on\, by inviting audiences to partake in the development of a real-time performance data set. Encountered uncannily through absurdity and play\, audiences can experience some of the creative possibilities and limitations of AI systems. \n\n\n\n\n\n\n\nPlease note limited seats are available at Inspace\, so please book tickets in advance. \n\n\n\nThis event is supported by Creative Informatics and the Edinburgh Futures Institute. \n\n\n\n*Important Notice* This event will be photographed and recorded and the data published online and used for research\, promotional and reporting purposes by the Edinburgh Futures Institute\, University of Edinburgh. For further information please contact the organisers. \n\n\n\n\n\n\n\nVenue
URL:https://efi.ed.ac.uk/event/creative-feedback-the-feats-and-failures-of-technology/
LOCATION:Inspace\, 1 Crichton Street\, Edinburgh\, Edinburgh\, EH8 9LE\, United Kingdom
CATEGORIES:Performance,Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240501T160000
DTEND;TZID=Europe/London:20240501T173000
DTSTAMP:20240711T105212Z
CREATED:20240402T092807Z
LAST-MODIFIED:20240711T105212Z
UID:10000131-1714579200-1714584600@efi.ed.ac.uk
SUMMARY:Project Deep Dive: David Williamson Shaffer
DESCRIPTION:ChatGPT and the other new advances in artificial intelligence have the potential to change work\, education\, and even what it means to “think” in the first place. In this talk\, Professor David Williamson Shaffer looks at what AI is (and isn’t)\, its impact on what and how we learn\, and how AI can change what it means to do research. \n\n\n\nSpeaker Biography\n\n\n\n\n\nDavid Williamson Shaffer\n\n\n\n\n\n\n\n\n\n\nDavid Williamson Shaffer is the Sears Bascom Professor of Learning Analytics in the Department of Educational Psychology\, a Data Philosopher at the Wisconsin Center for Education Research\, and Director of the Center for Research on Complex Thinking at the University of Wisconsin-Madison. Professor Shaffer’s PhD is from the Media Laboratory at the Massachusetts Institute of Technology\, and he has been a teacher\, teacher-trainer\, curriculum developer\, and game designer. Professor Shaffer’s current work focuses on unifying statistical\, qualitative\, and critical methods to construct fair models of complex and collaborative human activity. His most recent book\, Quantitative Ethnography\, launched a field that includes scholars from anthropology\, cognitive science\, computer science\, education\, engineering\, environmental science\, game design\, geography\, history\, human–computer interaction\, learning analytics\, learning sciences\, linguistics\, medicine\, psychology\, robotics\, sociology\, and statistics.
URL:https://efi.ed.ac.uk/event/project-deep-dive-david-williamson-shaffer/
LOCATION:Digital Scholarship Centre\, Main Library\, University of Edinburgh\, Edinburgh\, EH8 9LJ
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240424T150000
DTEND;TZID=Europe/London:20240424T170000
DTSTAMP:20240423T103820Z
CREATED:20240403T102746Z
LAST-MODIFIED:20240423T103820Z
UID:10000132-1713970800-1713978000@efi.ed.ac.uk
SUMMARY:Book Launch – Tor: From the Dark Web to the Future of Privacy
DESCRIPTION:In the seminar\, Ben will introduce the new book\, Tor: From the Dark Web to the Future of Privacy (MIT Press\, 2024). \n\n\n\nA biography of Tor—a cultural and technological history of power\, privacy\, and global politics at the internet’s core. \n\n\n\nTor\, one of the most important and misunderstood technologies of the digital age\, is best known as the infrastructure underpinning the so-called Dark Web. But the real “dark web\,” when it comes to Tor\, is the hidden history brought to light in this book: where this complex and contested infrastructure came from\, why it exists\, and how it connects with global power in intricate and intimate ways. In Tor: From the Dark Web to the Future of Privacy\, Ben Collier has written\, in essence\, a biography of Tor—a cultural and technological history of power\, privacy\, politics\, and empire in the deepest reaches of the internet. \n\n\n\nThe story of Tor begins in the 1990s with its creation by the US Navy’s Naval Research Lab\, from a convergence of different cultural worlds. Drawing on in-depth interviews with designers\, developers\, activists\, and users\, along with twenty years of mailing lists\, design documents\, reporting\, and legal papers\, Collier traces Tor’s evolution from those early days to its current operation on the frontlines of global digital power—including the strange collaboration between US military scientists and a group of freewheeling hackers called the Cypherpunks. As Collier charts the rise and fall of three different cultures in Tor’s diverse community—the engineers\, the maintainers\, and the activists\, each with a distinct understanding of and vision for Tor—he reckons with Tor’s complicated\, changing relationship with contemporary US empire. Ultimately\, the book reveals how different groups of users have repurposed Tor and built new technologies and worlds of their own around it\, with profound implications for the future of the Internet.
URL:https://efi.ed.ac.uk/event/book-launch-tor-from-the-dark-web-to-the-future-of-privacy/
LOCATION:High School Yards Teaching Centre\, Classroom 2\, 57 High School Yards\, Edinburgh\, EH1 1LZ\, United Kingdom
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240410T160000
DTEND;TZID=Europe/London:20240410T180000
DTSTAMP:20240711T105213Z
CREATED:20240328T115607Z
LAST-MODIFIED:20240711T105213Z
UID:10000130-1712764800-1712772000@efi.ed.ac.uk
SUMMARY:Book Launch: Environmental Ethics & Medical Reproduction by Cristina Richie
DESCRIPTION:We invite you to join us in celebrating the publication of Environmental Ethics and Medical Reproduction (Oxford University Press\, 2024)\, a new book by Dr Cristina Richie (Centre for Technomoral Futures at the University of Edinburgh’s Futures Institute). In this book\, Dr Richie evaluates ‘medicalized reproduction’ (MR) from an environmental perspective. From pre-conception gamete retrieval to in-vitro fertilization (IVF)\, to birthing suites\, MR has an enormous carbon footprint. But\, unlike other areas of high-carbon health care\, such as organ transplantation or chemotherapy\, medicalized reproduction does not treat\, cure\, or prevent disease. It is supported by an economized medical industry\, and as such\, is open for ethical scrutiny. The event will be followed by a drinks reception. \n\n\n\nSpeaker Biography\n\n\n\n\n\nDr Cristina Richie\n\n\n\n\n\n\n\n\n\n\nDr Cristina Richie is Lecturer of Ethics of Technology at the University of Edinburgh. She has previously held positions as Lecturer in Philosophy and Ethics at Delft University of Technology (2020-23)\, Assistant Professor in Bioethics and Interdisciplinary Studies at the Brody School of Medicine\, East Carolina University (2017-20)\, and Visiting Assistant Professor in Global Health and Social Medicine at Harvard Medical School (2019).
URL:https://efi.ed.ac.uk/event/book-launch-environmental-ethics-medical-reproduction-by-cristina-richie/
LOCATION:Project Room (1.06)\, 50 George Square\, 50 George Square\, Newington\, Edinburgh\, EH8 9JU\, United Kingdom
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240327T180000
DTEND;TZID=Europe/London:20240327T192000
DTSTAMP:20240328T092413Z
CREATED:20240226T165001Z
LAST-MODIFIED:20240328T092413Z
UID:10000125-1711562400-1711567200@efi.ed.ac.uk
SUMMARY:Technomoral Conversations: Who is Responsible for Responsible AI?
DESCRIPTION:Taking inspiration from the Edinburgh Declaration on Responsibility for Responsible AI\, this conversation will look at what matters most when we talk about ‘Responsible AI’ and responsibility for autonomous systems. Together\, we will discuss what it will take to make the framing of Responsible AI meaningful and conducive to real change in the AI ecosystem. \n\n\n\nDuring the event\, there will be an opportunity to get involved in the conversation (both in person and online). Featuring Rachel Coldicutt (Careful Industries)\, Dr Rhianne Jones (BBC R&D\, BRAID Programme)\, Dr Jack Stilgoe (UCL) and Steph Wright (Scottish AI Alliance)\, this is a conversation you won’t want to miss! \n\n\n\nSpeaker Biographies\n\n\n\nProfessor Shannon Vallor (chair): Professor Shannon Vallor holds the Baillie Gifford Chair in the Ethics of Data and Artificial Intelligence in the University of Edinburgh’s Department of Philosophy. She is Director of the Centre for Technomoral Futures in the Edinburgh Futures Institute\, and co-Director of the UKRI BRAID (Bridging Responsible AI Divides) programme. Professor Vallor’s research explores the ethical challenges and opportunities posed by new uses of data and AI\, and how these technologies reshape human moral and intellectual character. She is a former AI Ethicist at Google\, and advises numerous academic\, government and industry bodies on the ethical design and use of AI. She is the author of Technology and the Virtues: A Philosophical Guide to a Future Worth Wanting (Oxford University Press\, 2016)\, and The AI Mirror (Oxford University Press\, 2024). \n\n\n\nRachel Coldicutt: Rachel Coldicutt is a researcher and strategist specialising in the social impact of new and emerging technologies. She is founder and executive director of research consultancy Careful Industries and its sister social enterprise Promising Trouble. She was previously founding CEO of responsible technology think tank Doteveryone where she led influential and ground-breaking research into how technology is changing society and developed practical tools for responsible innovation. Prior to that\, she spent almost 20 years working at the cutting edge of new technology for companies including the BBC\, Microsoft\, BT\, and Channel 4\, and was a pioneer in the digital art world. Rachel is an advisor\, board member and trustee for a number of companies and charities and\, from 2020-2023\, served as a non-executive director at Ofcom. In 2019\, Rachel was awarded an OBE in the New Year’s Honours for services for the digital society. \n\n\n\nSteph Wright: Steph Wright has a diverse background ranging from astrophysics to genomics in academia and film & TV to dance in the arts and the third sector. A project and programme management professional\, she loves to develop and build collaborations across organisations to help people with their data/AI journey. Steph led on The Data Lab’s efforts in support of the Scottish Government in developing Scotland’s AI Strategy and she’s now leading on the delivery of the strategy’s vision for Scotland to be a leader in the development and use of trustworthy\, ethical and inclusive AI as Head of Scottish AI Alliance. She is also Co-Founder of Diverse AI and was recognised as one of the 100 Brilliant Women in AI Ethics in 2023 and one of the Top 10 Women in Tech in Scotland in 2023. \n\n\n\nDr Jack Stilgoe: Dr Jack Stilgoe is a professor in science and technology studies at University College London\, where he researches the governance of emerging technologies. He is part of the UKRI Responsible AI leadership team. He was principal investigator of the ESRC Driverless Futures project (2019-2022). He worked with EPSRC and ESRC to develop a framework for responsible innovation that is now being used by the Research Councils. Among other publications\, he is the author of ‘Who’s Driving Innovation?’ (2020\, Palgrave) and ‘Experiment Earth: Responsible innovation in geoengineering’ (2015\, Routledge). He previously worked in science and technology policy at the Royal Society and the think tank Demos. He is a fellow of the Turing Institute and a trustee of the Royal Institution. \n\n\n\nDr Rhianne Jones: Dr Rhianne Jones’ work focuses on ensuring emerging technology and uses of data support public service media values and a healthy media and information ecosystem. As a UKRI Future Leaders Fellow\, Rhianne is establishing and leading a new research centre focused on building desirable and resilient public media futures. Prior to this Rhianne led the Responsible Innovation programme in BBC R&D where she collaborated with academic and industry partners to deliver well-timed research to inform technology\, policy\, and strategy. Rhianne holds a PhD in digital media and society\, an MA in social research and professional qualifications in data\, law\, policy\, and regulation\, AI ethics and society\, and public policy analysis. Rhianne currently leads the BBC’s engagement with the AHRC BRAID programme\, the ESRC Digital Good Network and the EPSRC Centre for Digital Citizens\, with which her new centre will connect. She also holds strategic advisory roles for the UK TAS Hub and Horizon Digital Economy Research Institute. 
URL:https://efi.ed.ac.uk/event/technomoral-conversations-who-is-responsible-for-responsible-ai/
LOCATION:Playfair Library Hall\, Old College\, South Bridge\, Edinburgh\, Edinburgh\, EH8 9YL\, United Kingdom
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240327T140000
DTEND;TZID=Europe/London:20240327T153000
DTSTAMP:20240711T105225Z
CREATED:20240304T165248Z
LAST-MODIFIED:20240711T105225Z
UID:10000128-1711548000-1711553400@efi.ed.ac.uk
SUMMARY:Project Deep Dive: Sal Hagen 
DESCRIPTION:‘Who is /ourguy/?’: Tracing memes to study online subcultures \n\n\n\nIn fast-paced attention economies\, Internet memes and catchphrases that manage to ‘stick’ have arguably come to form anchor points in rapidly changing discourse: from discussions on ‘wokeness\,’ clashes between ‘boomers’ and ‘zoomers\,’ to catchphrase-laden conspiracy theories. This talk discusses how we may repurpose these objects as nodal points for research into online subcultures. In specific\, I discuss several case studies of where I follow how memetic phrases proliferate on and around the far-right 4chan/pol/ forum\, an infamous space that has been at the root of many political memes. I outline how these methods may reconfigure our ideas memes as objects of study\, as well as challenge some assumptions and procedures embedded in digital methods research. \n\n\n\nSpeaker Biography\n\n\n\n\n\nSal Hagen\n\n\n\n\n\n\n\n\n\n\n\n\nSal Hagen is a researcher affiliated with the Digital Methods Initiative and OILab of the University of Amsterdam. His PhD research concerned the collectivity of radical imageboard groups\, which he examined through quali-quantitative\, data-driven methods. As part of this\, he works on research tools to study online platforms and digital culture\, notably through 4CAT (4cat.nl).
URL:https://efi.ed.ac.uk/event/project-deep-dive-sal-hagen/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240326T170000
DTEND;TZID=Europe/London:20240326T193000
DTSTAMP:20240308T154928Z
CREATED:20240308T110920Z
LAST-MODIFIED:20240308T154928Z
UID:10000129-1711472400-1711481400@efi.ed.ac.uk
SUMMARY:Tech Tuesdays: The Future of Technology in Hospitality\, Finance & Payments
DESCRIPTION:Join us for an exclusive evening event hosted by Traveltech for Scotland\, Stripe\, and Edinburgh Tourism Action Group (ETAG) at Dovecot Studios. This event marks the launch of Tech Tuesdays\, a new series dedicated to making sense of technology within the tourism\, travel\, and hospitality industries. \n\n\n\nWho Should attend?\n\n\n\nThis event is designed for owners\, managers\, and decision-makers within the hospitality sector\, including hotels\, B&Bs\, restaurants\, and bars\, as well as fintech professionals looking to innovate in the tourism space. Whether you’re seeking to enhance your customer experience\, streamline operations\, or explore new payment solutions\, you’ll find valuable insights and connections here. \n\n\n\nWhy attend?\n\n\n\n\nDiscover: Learn about the latest advancements in hospitality tech and fintech\, and understand how these innovations can transform your business.\n\n\n\nNetwork: With 50 places available\, seize the opportunity to connect with industry leaders\, tech innovators\, and fellow business owners.\n\n\n\nEngage: Participate in a lively panel session hosted by James Lemon\, Global Lead for Travel\, Transport\, and Leisure\, followed by a rapid showcase featuring 4-5 pioneering tech companies.\n\n\n\n\nAbout Tech Tuesdays\n\n\n\nTech Tuesdays\, in partnership with ETAG\, is a monthly event series focusing on a thematic area of technology relevant to tourism\, travel\, and hospitality businesses. Tech Tuesdays offer a direct path for tourism and hospitality businesses to discover and adopt the latest tech solutions\, ensuring they stay ahead of industry trends and future-proof their operations. Attendees gain exclusive access to transformative technologies that drive efficiency\, enhance customer satisfaction\, and secure a competitive edge.
URL:https://efi.ed.ac.uk/event/tech-tuesdays-the-future-of-technology-in-hospitality-finance-payments/
LOCATION:Dovecot Studios\, 10 Infirmary Street\, Edinburgh\, EH1 1LT
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240322T150000
DTEND;TZID=Europe/London:20240322T170000
DTSTAMP:20240318T152521Z
CREATED:20240226T161744Z
LAST-MODIFIED:20240318T152521Z
UID:10000124-1711119600-1711126800@efi.ed.ac.uk
SUMMARY:Datafied Publics: Inaugural Event for EFI Critical Data Studies Cluster
DESCRIPTION:At this event speakers will explore how civil society politically mobilises when citizens are subject to data systems that algorithmically govern them but remain opaque. From ad-driven platforms to digital labour and border control\, collectives have formed to understand the ways people are sorted\, shaped and targeted and to demand greater control over these processes. The panel will present cases across a range of domains showing how datafied publics take shape\, the forms of participation they engage in and new modes of political accountability as a result. \n\n\n\nSpeakers\n\n\n\n\nBen Collier – University of Edinburgh\, School of Social and Political Sciences\n\n\n\nJamie Duncan – University of Toronto Centre for Criminology and Sociolegal Studies\n\n\n\nKaren Gregory – University of Edinburgh\, School of Social and Political Sciences\n\n\n\nGavin Sullivan – University of Edinburgh\, Law School\n\n\n\nAlex Taylor – University of Edinburgh\, Design Informatics\n\n\n\n\nThe event will be followed by a catered drinks reception.
URL:https://efi.ed.ac.uk/event/datafied-publics-inaugural-event-for-efi-critical-data-studies-cluster/
LOCATION:Inspace\, 1 Crichton Street\, Edinburgh\, Edinburgh\, EH8 9LE\, United Kingdom
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240313T174500
DTEND;TZID=Europe/London:20240313T190000
DTSTAMP:20240314T114223Z
CREATED:20240221T151928Z
LAST-MODIFIED:20240314T114223Z
UID:10000123-1710351900-1710356400@efi.ed.ac.uk
SUMMARY:Compassion & Transforming the Economy: Merging the ‘Why’ and the ‘How’
DESCRIPTION:Is compassion relevant to the economy? Or even visa-versa?Compassion and the economy have more to say to each other than might be obvious at first glance.A compassionate approach that incorporates an economic lens asks questions about how the economy operates: the distribution of resources\, the nature of jobs\, what sort of work is paid for\, costs of goods and services\, and provision of amenities.Thinking about the economy using a compassionate lens shifts the emphasis from individuals becoming more resilient\, able to withstand burdens and shocks and the punches thrown at them to ask why these burdens are there in the first place\, what holds these burdens in place\, and how can they be removed? Economy with a compassionate lens means no less than economic system change.Join us for a ‘conversation’ style event exploring these possibilities and how compassion requires not only transformation of the economy\, but why compassion needs to be at the centre of how the change happens.Hosted by Professor Liz Grant and Dr Katherine Trebeck (Global Compassion Initiative\, EFI)\, the evening will feature a talk by Sandrine Dixson-Declève (Co-President of the Club of Rome) and will be followed by a dialogue with Mel Young (founder of the Homeless World Cup) and Arnaud Blandin (entrepreneur-in-residence at INSEAD). \n\n\n\nSpeaker Biographies\n\n\n\nSandrine Dixson-Declève is the co-president of The Club of Rome and the Executive Chair of Earth4All. She is an Ambassador\, for the Energy Transition Commission (ETC) and the Wellbeing Alliance (WeAll) and a Fellow of the World Academy of Science & Art. Sandrine has sat on the European Commission’s Mission on Climate Change & Adaptation. She has also been recognised by Reuters as one of 25 global female trailblazers and by GreenBiz as one of the 30 most influential women across the globe driving change in the low carbon economy and promoting green business.Arnaud Blandin is the visionary founder of the Beyond Ecosystem\, an innovative platform dedicated to assisting organisations of varying scales in implementing and quantifying their positive impacts. With over two decades of experience in the high-tech industry\, he expertly harnesses data and metrics to navigate the complexities of our world\, guiding entities towards sustainable practices. Arnaud is a distinguished speaker and educator\, sharing his insights and expertise at leading global institutions.Mel Young MBE is the President and co-founder of the Homeless World Cup\, an organisation established to use sport as a mechanism to create change. He co-founded The Big Issue in Scotland in 1993\, the International Network of Street Papers (INSP) in 1995 and Social Entrepreneurs Network Scotland (Senscot) in 1999. He is Chair of Sport Scotland and is the Scotland Member of UK Sport.
URL:https://efi.ed.ac.uk/event/compassion-transforming-the-economy-merging-the-why-and-the-how/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240313T133000
DTEND;TZID=Europe/London:20240313T150000
DTSTAMP:20240711T105225Z
CREATED:20240304T164408Z
LAST-MODIFIED:20240711T105225Z
UID:10000127-1710336600-1710342000@efi.ed.ac.uk
SUMMARY:Project Deep Dive: Sruthi Herbert
DESCRIPTION:Digitization for Social Welfare: Examining the Building and Other Construction Workers’ (BOCW) Welfare Funds in India \n\n\n\nPost-colonial nations such as India exhibit a variant of techno-nationalism\, wherein technological prowess serves as a surrogate for self-sufficiency\, fostering a sense of pride in the adoption of digital solutions for governance. Within this context\, I delve into a case study where the techno-nationalist approach converges with the welfare entitlements of migrant construction workers situated on the peripheries of capitalist development. \n\n\n\nThe welfare of construction workers in India is addressed through the Building and Other Construction Workers (BOCW) welfare boards\, established specifically to mitigate the vulnerabilities faced by this demographic. These boards\, operating at the regional or state level\, boast unique administrative structures that have grappled with varying degrees of dysfunctionality over the years. However\, in the wake of the COVID-19 pandemic\, there has been a notable acceleration in the digitization efforts of these boards\, aimed at enhancing welfare delivery. \n\n\n\nThrough examination of digital data sets and interviews with officials affiliated with these welfare boards\, I explore the evolving landscape of digital welfare delivery in India. This inquiry provides valuable insights into both the opportunities and challenges arising from the convergence of the administrative state with digital technologies. \n\n\n\nSpeaker Biography\n\n\n\n\n\nDr Sruthi Herbert\n\n\n\n\n\n\n\n\n\n\n\n\nDr Sruthi Herbert is a Digital Research Postdoctoral Fellow. She is also affiliated with the project ‘Reversing the Gaze’ at the Edinburgh Law School where she worked as a Postdoctoral Research Fellow. During this time\, she studied the mutual interaction and constitution of the fiscal and the administrative state in India. She has a PhD in Development Studies from SOAS University of London that focused on people’s interface with India’s developmental and administrative state and their differential experience of citizenship based on their social identities.
URL:https://efi.ed.ac.uk/event/project-deep-dive-sruthi-herbert/
LOCATION:Digital Scholarship Centre\, Main Library\, University of Edinburgh\, Edinburgh\, EH8 9LJ
CATEGORIES:Talk/Discussion
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240219T160000
DTEND;TZID=Europe/London:20240219T173000
DTSTAMP:20240711T105226Z
CREATED:20240123T144847Z
LAST-MODIFIED:20240711T105226Z
UID:10000114-1708358400-1708363800@efi.ed.ac.uk
SUMMARY:Project Deep Dive: Anja Neundorf
DESCRIPTION:(When) Does civic education work? Evidence from a cross-national online experiment (with Aykut Öztürk\, Steven Finkel\, and Ericka Rascon Ramirez) \n\n\n\nCivic education is an important effort in strengthening the resilience of existing and new democracies. However\, little is known about 1) whether these programs can be conducted online (instead of traditionally in-person)\, 2) what is the best frame to promote democracy\, and 3) whether there are contextual differences in the impact of these interventions. Our project aims to answer these questions through online experiments\, which were conducted in 33 countries\, representing varying levels of democratic and economic development. Over 40\,000 respondents were recruited via social media and were randomly shown one of three treatment videos\, promoting different aspects of democracy (civic rights\, separation of power\, provision of economic and public goods) or a placebo treatment. Our results show that the treatments positively affected support for democracy and that the effect can still be detected after two weeks. However\, contrary to expectations\, the political and economic context of respondents does not condition the impact of our interventions. Our study is the most comprehensive study ever conducted in the field of civic education\, allowing us to explore how democracy promotion works in different countries. \n\n\n\n\n\nAnja Neundorf\n\n\n\n\n\n\n\n\n\n\n\n\nAnja Neundorf is a professor of Politics and Research Methods at the University of Glasgow. Before joining Glasgow\, she worked as an Associate Professor at the University of Nottingham (2013-2019) and a Postdoctoral Prize Research Fellow at Nuffield College\, University of Oxford (2010-2012). She received her PhD from the University of Essex. Her research interests lie at the intersection of political behaviour\, research methods\, and comparative politics. She is currently the principal investigator of the ERC-funded Consolidator Grant “Democracy under Threat: How Education can Save it”.
URL:https://efi.ed.ac.uk/event/project-deep-dive-anja-neundorf/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2024/01/Anja-Project-Deep-Dive.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240206T043000
DTEND;TZID=Europe/London:20240206T183000
DTSTAMP:20240711T105226Z
CREATED:20240125T151822Z
LAST-MODIFIED:20240711T105226Z
UID:10000115-1707193800-1707244200@efi.ed.ac.uk
SUMMARY:Music\, Copyright & Generative AI: Social\, Ontological & Legal Perspectives
DESCRIPTION:“Music\, Copyright & Generative AI: Social\, Ontological & Legal Perspectives” is the second in a series of 4 public seminars taking critical and creative perspectives on the current state of AI in music; it is organised by the MusAI research programme in collaboration with the ‘AI and the Arts’ group at The Alan Turing Institute. The speakers address the challenges posed by generative AI to existing music copyright regimes. Born’s presentation draws on anthropological literature to highlight key ontological categories underwriting property and ownership. Drott’s presentation focuses on automatic music generation services\, asking whether copyright’s commitment to the individual author is called into question by the distributed nature of machine learning. Haworth examines the use of AI-based vocal cloning and source separation methods in official and unofficial productions of the Beatles’ and Beach Boys’ music. He highlights the moral anxieties that cluster around the use of vocal likenesses in pop\, and the artist-led initiatives being developed to address these––many of which are in advance of copyright law. \n\n\n\nFeaturing an electronic music performance by Owen Green (Max Planck Institute) and Jules Rawlinson (University of Edinburgh). Owen Green’s research centres on live electronic music\, with focuses on playing with and designing semi-autonomous performance systems\, and the philosophy of technology as it relates to music. \n\n\n\n\n\nGeorgina Born\n\n\n\n\n\n\n\n\n\n\n\n\nGeorgina Born is Professor of Anthropology and Music at University College London. She directs the MusAI research programme\, and previously held Professorships at the Universities of Oxford (2010-21) and Cambridge (2006-10)\, as well as having a professional life as a musician in experimental rock\, jazz and free improvisation. \n\n\n\n\n\n\n\n\n\nEric Drott\n\n\n\n\n\n\n\n\n\n\n\n\nEric Drott is Associate Professor of Music Theory at the University of Texas at Austin. His research spans contemporary music cultures\, streaming music platforms\, music and protest\, genre theory\, digital music and AI music\, and the political economy of music. \n\n\n\n\n\n\n\n\n\nChristopher Haworth\n\n\n\n\n\n\n\n\n\n\n\n\nChristopher Haworth is Associate Professor in Music at the University of Birmingham. His research focuses on electronic and experimental musics; British popular music; music and politics; the theory and analysis of music technology; AI music\, and music and the internet.
URL:https://efi.ed.ac.uk/event/music-copyright-generative-ai-social-ontological-legal-perspectives/
LOCATION:Inspace\, 1 Crichton Street\, Edinburgh\, Edinburgh\, EH8 9LE\, United Kingdom
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2024/01/New-Real-0602.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240124T103000
DTEND;TZID=Europe/London:20240124T120000
DTSTAMP:20240711T105226Z
CREATED:20240108T151407Z
LAST-MODIFIED:20240711T105226Z
UID:10000112-1706092200-1706097600@efi.ed.ac.uk
SUMMARY:Project Deep Dive: Justin Chun-ting Ho
DESCRIPTION:While recent years witnessed an increasing use of computational text analysis in communications\, the computational analysis of visual content remained a challenging task. Recent advancement in multi-modal embeddings offers promising solutions to conduct automated content analysis on images as well texts. Using an annotated dataset of green influencer posts on Instagram\, this project presents and compares various inductive and deductive approaches to use pre-trained multi-modal embeddings for extracting theoretically relevant topics and frames from multi-modal content.  \n\n\n\nSpeaker Biography\n\n\n\n\n\nJustin Chun-ting Ho\n\n\n\n\n\n\n\n\n\n\n\n\nJustin Chun-ting Ho is a postdoctoral researcher at the Amsterdam School of Communication Research. Before Amsterdam\, he worked at Academia Sinica in Taipei and Sciences Po in Paris. He holds a PhD in Sociology from the University of Edinburgh. His work focuses on nationalism\, social media analysis\, and computational methods. 
URL:https://efi.ed.ac.uk/event/project-deep-dive-justin-chun-ting-ho/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2024/01/Justin_Ho_Project_Deep_Dive.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231215T083000
DTEND;TZID=Europe/London:20231215T100000
DTSTAMP:20231211T161313Z
CREATED:20231211T161312Z
LAST-MODIFIED:20231211T161313Z
UID:10000111-1702629000-1702634400@efi.ed.ac.uk
SUMMARY:Recycling a Hospital with Edinburgh Future’s Institute
DESCRIPTION:CreativeMornings Edinburgh invites you to join their final event of 2023 with the the team behind the Recycling A Hospital project at Edinburgh Futures Institute! \n\n\n\nRecycling a Hospital is a creative project that seeks to reuse materials from the old Royal Infirmary on Lauriston Place that could not be used in the redevelopment of the building into the new Edinburgh Futures Institute. Realising the materials bear a rich history and symbolic connection to the former hospital\, the project team decided to give them a new life in the form of an artwork. \n\n\n\nHear all about this beautiful project\, with the chance to ask questions\, catch up over a coffee and mince pie and celebrate another year of creativity!
URL:https://efi.ed.ac.uk/event/recycling-a-hospital-with-edinburgh-futures-institute/
LOCATION:National Library of Scotland\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/08/recycling-a-hospital.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231129T083000
DTEND;TZID=Europe/London:20231129T163000
DTSTAMP:20231031T151644Z
CREATED:20231031T151643Z
LAST-MODIFIED:20231031T151644Z
UID:10000107-1701246600-1701275400@efi.ed.ac.uk
SUMMARY:UK FinTech Symposium 2023
DESCRIPTION:The UK FinTech Symposium is the annual conference for the FinTech National Network delivered in association with Innovate UK\, the UK and Scottish Governments\, and is the gathering place for FinTech leaders to collaborate\, cooperate and develop new market opportunities. \n\n\n\nThis will be the most prestigious FinTech event being held outside London in 2023 and a unique opportunity for delegates to engage with fellow senior figures in the industry. \n\n\n\nThe third edition will be hosted in Edinburgh by Stephen Ingledew\, Chair of FinTech Scotland\, on Wednesday 29th November 2023\, and our media partner this year is The Times Scotland. \n\n\n\nThe UK FinTech Symposium creates a one stop unique gateway and access to the FinTech ecosystems of FinTech Wales\, FinTech NI\, FinTech Scotland\, FinTech North\, FinTech West\, SuperTech (West Midlands)\, their CEO’s and senior executives.
URL:https://efi.ed.ac.uk/event/uk-fintech-symposium-2023/
LOCATION:OX Edinburgh\, Natwest Gogarburn\, 175 Glasgow Road\, Edinburgh\, EH12 9SB
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2023/10/UK-Fintech-Symposium.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231121T083000
DTEND;TZID=Europe/London:20231121T173000
DTSTAMP:20231031T150235Z
CREATED:20231031T150234Z
LAST-MODIFIED:20231031T150235Z
UID:10000106-1700555400-1700587800@efi.ed.ac.uk
SUMMARY:Digital Scotland 2023
DESCRIPTION:DigitalScotland is the largest annual gathering of public sector technology professionals\, where global govtech leaders share technology insights and lessons in digital transformation\, leadership\, skills\, cultural change and data-driven innovation. \n\n\n\nWith 50-plus speakers from a diverse array of backgrounds\, DigitalScotland is the leading forum to hear about how digital and data are transforming the way our public services operate and fulfil their mission to be modern\, responsive and designed around the needs of citizens. \n\n\n\nThe full-day conference features a fantastic line-up of globally accredited speakers on topics as diverse as service design\, ethics in AI\, the internet of things\, cybersecurity\, 5G and much more. \n\n\n\nWith a growing global ‘govtech’ movement\, DigitalScotland is a must-attend for technologists and policymakers delivering the next generation of government services.
URL:https://efi.ed.ac.uk/event/digital-scotland-2023/
LOCATION:Edinburgh International Conference Centre\, 150 Morrison St\, Edinburgh\, EH3 8EE
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Digital-Scotland-2023.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231113T130000
DTEND;TZID=Europe/London:20231113T140000
DTSTAMP:20231031T143351Z
CREATED:20231031T143340Z
LAST-MODIFIED:20231031T143351Z
UID:10000104-1699880400-1699884000@efi.ed.ac.uk
SUMMARY:Speculative Futures Central Scotland #1— Finn Strivens and Eva Oosterlaken
DESCRIPTION:Speculative Futures Central Scotland is delighted to invite you to a lunchtime conversation on participatory futures with Finn Strivens and Eva Oosterlaken from Futurall\, a research and design studio building hope\, agency and action towards more equitable futures. They will share their work\, approach and next steps in participatory futures practice. Trying to focus on what they would have changed about previous projects\, the event will start an interactive discussion about how collaborative Futures practices can creatively engage people to drive change. \n\n\n\nSpeculative Futures Central Scotland is programmed by Andthen and the Data + Design Lab based at the Edinburgh Futures Institute. We are interested in hosting discussions about applied futures — we want to learn about how people are addressing long-term issues in their organisations\, from understanding the role of long-term thinking in policy design to understanding the challenges of using futures in large corporates. Speculative Futures Central Scotland is a component chapter of the global Speculative Futures community. \n\n\n\nFinn is a designer and futurist\, specialising in playful participation. He is founder and creative lead at Futurall\, and is creative lead on SOIF’s National Strategy for the Next Generations programme; a systems change programme looking to help the UK government to make policy in a long term and participative way. He is an NGFP fellow and the inaugural winner of the NGFP Walkabout Prize. \n\n\n\nEva is a co-founder of creative studio Futurall\, and previously worked as a design researcher for digital supermarket Picnic in Amsterdam where she worked to structurally improve the customer and employee experience across the company. In 2020\, she graduated with a master’s in Global Innovation Design from the Royal College of Art and Imperial College London and in 2017 with a bachelor’s in Industrial Design from Delft University of technology.
URL:https://efi.ed.ac.uk/event/speculative-futures-central-scotland-1-finn-strivens-and-eva-oosterlaken/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Speculative-Futures-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231107T083000
DTEND;TZID=Europe/London:20231107T163000
DTSTAMP:20231031T144809Z
CREATED:20231031T144807Z
LAST-MODIFIED:20231031T144809Z
UID:10000105-1699345800-1699374600@efi.ed.ac.uk
SUMMARY:Digital Justice & Policing 2023
DESCRIPTION:Digital and data are transforming the way we deliver justice services in Scotland\, from an enhanced user experience for victims and witnesses\, to better coordination of evidence between policing and the courts. \n\n\n\nDigital Justice & Policing 2023 will bring together stakeholders from across the justice landscape\, to work out the next steps for a system that is remaking itself in the digital age. \n\n\n\nDigital Justice & Policing is the largest gathering for digital justice practitioners in Scotland\, where stakeholders gather to hear how investment in technology is helping the police and courts to modernise frontline service delivery\, from data-driven innovation and smart devices to cloud-based platforms.
URL:https://efi.ed.ac.uk/event/digital-justice-policing-2023/
LOCATION:University of Strathclyde\, Technology & Innovation Centre\, 99 George Street\, Glasgow\, G1 1RD
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Digital-Justice-Policing.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231025T120000
DTEND;TZID=Europe/London:20231025T130000
DTSTAMP:20231005T111358Z
CREATED:20231005T111356Z
LAST-MODIFIED:20231005T111358Z
UID:10000101-1698235200-1698238800@efi.ed.ac.uk
SUMMARY:FutureGaze: The Future of Creative Inclusion
DESCRIPTION:FutureGaze is a lunchtime series brought to you by Creative Edinburgh\, providing time out to reflect and gaze into the future of the creative industries. \n\n\n\nIn conversation with Caroline Parkinson\, we welcome creative leaders who have innovated and led significant changes in their creative business\, organisation\, artistic or academic practice over the past year to share what the future looks like for them – and for the creative and cultural sector. \n\n\n\nJoin us as we collectively gaze into the future of the creative and cultural sector\, stimulate ideas for your creative future\, and get inspired to strive towards it. \n\n\n\nNot a member of Creative Edinburgh yet? It’s free to join click here. \n\n\n\nBy registering to our events you will automatically be given a free Creative Edinburgh Core membership. You can cancel this at any time. You will not be able to attend our events unless you are on a Creative Edinburgh membership package including Core. \n\n\n\nWhat does FutureGaze explore?\n\n\n\nFrom new ways of exploring creative investments to new ways of measuring creative impact\, FutureGaze will cover a range of themes in 2023 aimed at creative freelancers\, sole traders\, and businesses. \n\n\n\nJoined by a line-up from across the creative industries\, Caroline will delve into the challenges and opportunities\, the shifts in thinking and practice they have made over the past couple of years and explore what’s been learned through these changes. \n\n\n\nWe will reflect on the changing landscape facing the creative industries and look to the future to consider how the creative and cultural sector may need to adapt in order to sustain\, maximise potential through innovation and thrive. \n\n\n\nOctober’s Discussion: The Future of Creative Inclusion\n\n\n\nCreativity thrives on a diversity of voices\, perspectives\, and experiences\, and we in the creative and cultural sector work towards widening access\, inclusion and diversity in our industry and representation in the creative work produced. \n\n\n\nHow are we doing as a sector in achieving a positive difference\, and tackling the challenges to achieving greater diversity and inclusion? \n\n\n\nWhat are our strategies for equality\, diversity\, inclusion and access? How successful have been the initiatives we have designed? Is there a greater need to share our learning and our initiatives that have worked even in part\, so we can widen access\, reduce obstacles\, improve opportunity and achieve our aims? \n\n\n\nIn this FutureGaze our speakers will explore these questions\, and share what they have learned from their experiences and challenges\, with examples of strategies and initiatives that have achieved a positive difference. \n\n\n\nAbout our Guests\n\n\n\nNicola Osborne \n\n\n\nNicola Osborne is Manager of the Institute for Design Informatics\, at The University of Edinburgh and Programme Manager for the Creative Informatics Cluster programme\, sited within the Institute. She authored the Equalities\, Diversity and Inclusion policy for the programme\, and co-authored the ethics guidance\, and regularly works with SMEs to ensure their innovative work is inclusive and ethically grounded. \n\n\n\nShe has also contributed social media expertise to UK and EU research projects and through consultancy with clients including\, the British HIV Association\, NHS Greater Glasgow & Clyde\, and Asthma UK. \n\n\n\nMelanie Hoyes \n\n\n\nHaving completed postgraduate studies and teaching film and TV at undergraduate level\, the BFI has given Mel the opportunity to use these skills in a contemporary industry context. She completed a BFI research project to historically map ethnic diversity in onscreen representation in UK film for the Black Star season at the BFI Southbank in 2016\, ground-breaking research and data methodology which was written up in a piece and Sight & Sound Magazine and an academic collection of essays called Black Film\, British Cinema II. In her role as Head of Inclusion at the BFI\, Melanie advocates for increased access and equity in the UK film sector as well as consulting and collaborating with global partners to embed diversity and inclusion into policy and practice. \n\n\n\nShe also sits on various Boards and committees and is the Europe Council Lead for the Geena Davis Institute and co-editor of the Black Film Bulletin section in Sight and Sound magazine. \n\n\n\nAbout our host\n\n\n\nCaroline Parkinson \n\n\n\nCaroline is Sector Engagement Manager for the Creative Industries and Director of Creative for the Edinburgh Futures Institute having previously developed the sector plan and white paper for the creative industries for the Data-Driven Innovation Programme within the University of Edinburgh. Prior to this from 2014 to 2018 she provided consultancy in the creative industries specialising in business development\, innovation and skills\, latterly completing a 2-year contract to stimulate innovation in creative industries with Interface. From 2010 to 2014 she was Director of Film\, TV\, Music\, Creative Industries\, Skills & Innovation for the newly formed Creative Scotland\, and prior to that from 2005 to 2010 she was Director\, Scotland & Northern Ireland for the new sector skills association\, Creative & Cultural Skills. \n\n\n\nHer early creative life included ballet and rhythmic gymnastics\, fashion\, singing in bands for over 30 years\, and photography\, becoming a professional photographer in 1999. \n\n\n\nShe serves on the Board of Architecture & Design Scotland\, and until recently served on the board of the Scottish Music Industry Association\, and for four years has served in a voluntary capacity as Strategic Director and Presenter of the MOVE Summit\, Scotland’s Animation and VFX Gathering.
URL:https://efi.ed.ac.uk/event/futuregaze-the-future-of-creative-inclusion/
LOCATION:Online\, Edinburgh
CATEGORIES:Creative Industries,Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Future-Gaze.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231017T130000
DTEND;TZID=Europe/London:20231017T140000
DTSTAMP:20231005T105122Z
CREATED:20231005T105121Z
LAST-MODIFIED:20231005T105122Z
UID:10000100-1697547600-1697551200@efi.ed.ac.uk
SUMMARY:Music-making beyond the classroom
DESCRIPTION:In collaboration with the Binks Hub as part of the UNESCO Week of Sound \n\n\n\nMusic can benefit young people in far reaching ways. Not only can it enable young people to learn new skills\, but it can support their well-being by creating opportunities for self-expression\, collaboration and belonging. \n\n\n\nResearch has found music to be especially positive for young people from disadvantaged backgrounds. In spite of this\, there are widening inequalities in the provision of and access to music-making. \n\n\n\nSuch concerns have been heightened in the context of ongoing public sector cuts\, and the resultant music education budgets in schools. \n\n\n\nIn this online seminar\, we invite you to join community practitioners and researchers involved in music and music-making in settings outside of the classroom. \n\n\n\nPart celebration\, part call for action\, it will showcase the wealth and energy of music initiatives working with\, and for\, young people. \n\n\n\nBy making instruments and music education available to all young people\, deliberately bringing sound into unexpected places and social groups\, and challenging the rules around music-making\, these initiatives show how valuable\, and how valued music is both to young people and the communities they are part of. \n\n\n\nSpeakers:\n\n\n\nEmma Davidson (Co-Director\, Binks Hub) \n\n\n\nJed Milroy (Assistant Director at the Tinderbox Collective) \n\n\n\nRyan McGlone (Manager\, Grantown Youth Centre) \n\n\n\nKatie Hunter (Research Fellow\, Strathclyde University)
URL:https://efi.ed.ac.uk/event/music-making-beyond-the-classroom/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Guitar-Pluck.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231017T120000
DTEND;TZID=Europe/London:20231017T130000
DTSTAMP:20231005T104158Z
CREATED:20231005T104156Z
LAST-MODIFIED:20231005T104158Z
UID:10000099-1697544000-1697547600@efi.ed.ac.uk
SUMMARY:The sounds of feeling well\, feeling cared for
DESCRIPTION:In collaboration with the Binks Hub as part of the UNESCO Week of Sound \n\n\n\nIn this seminar\, we will share the findings of a co-creative research project which explored understandings of mental health for care-experienced people in order to develop an innovative training for residential workers. \n\n\n\nThe seminar will share some of the findings of the project and also explore the importance of sound in the training resources we created. The seminar will include experts-by-experience alongside academics and a sound artist. \n\n\n\nA panel discussion with Dr Christina Mcmellon\, Dr Pearse McCusker\, Michael Begg\, Thomas Bartlett\, and Dr Autumn Roesch-Marsh.
URL:https://efi.ed.ac.uk/event/the-sounds-of-feeling-well-feeling-cared-for/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2023/10/colourful-squares.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231017T110000
DTEND;TZID=Europe/London:20231017T120000
DTSTAMP:20231005T103426Z
CREATED:20231005T103419Z
LAST-MODIFIED:20231005T103426Z
UID:10000098-1697540400-1697544000@efi.ed.ac.uk
SUMMARY:Sounding the Ice Factory
DESCRIPTION:Michael Begg\, representing work undertaken with People Ocean Planet\, Marine Alliance of science and Technology\, Scottish Association for Marine Sciences\, Creative Informatics\, Blue Action EU\, European Marine Board\, and research scientists based at AWI\, European Centre for Medium Range Weather Forecasting\, Hokkaido University Institute for Low Temperature Science. \n\n\n\nFurther Details\n\n\n\nBetween 2021 and 2023 sound artist Michael Begg completed composer residencies with the Ocean ARTic Partnership and the European Marine Board. Working in collaboration with climate scientists and researchers\, the residencies sought to use music built around research data to increase public awareness and engagement with the complexity and fragility of our polar regions as they struggled with climate change. \n\n\n\nUsing innovative technology and composing techniques that transformed data into sound\, new forms of musical expression were realised that spoke to an audience’s own growing anxiety surrounding climate change. But these data compositions provided both a cathartic release for the scientists\, and suggested new perspectives around which to consider the structure and representation of their work. As one researcher remarked\, “I found the music fascinating but also surprisingly stressful – being able to hear environmental change is quite an emotional experience.” \n\n\n\nBeginning with the proposal that in the 21st century data has become the common vocabulary of science and art\, Michael describes the processes through which he arrives at his compositions\, considers the differences between data sonification and data composition\, and invites discussion around what value or insight may be revealed through consideration of sound and music in research activity. He will also explore solastalgia\, the acute anxiety arising from living through climate change\, and what these new forms of musical expression may contribute to addressing that condition for listeners\, and for researchers.
URL:https://efi.ed.ac.uk/event/sounding-the-ice-factory/
LOCATION:West Court\, Edinburgh College of Art\, 74 Lauriston Place\, Edinburgh\, EH3 9DF
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/jpeg:https://efi.ed.ac.uk/wp-content/uploads/2023/10/Iceberg-Above.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231011T180000
DTEND;TZID=Europe/London:20231011T190000
DTSTAMP:20231004T145804Z
CREATED:20231004T145802Z
LAST-MODIFIED:20231004T145804Z
UID:10000097-1697047200-1697050800@efi.ed.ac.uk
SUMMARY:Citizens Data Agency Event Series – What mobilises people against Big-Tech?
DESCRIPTION:Join us for the first Citizens Data Agency public event with Dr. Elinor Carmi\, who will share her latest research report titled “What mobilises people against Big-Tech?”. This report builds on previous research with colleagues at Liverpool University that argues that contrary to arguments about people’s resignation and cynicism about their privacy and digital rights\, they found that people do care but do not know what to do about it. This new report asks digital rights NGO practitioners to share their experience around campaigns with different communities – what worked\, what did not work and how can we move forward to challenge the power asymmetries we have with Big-Tech. \n\n\n\nRead the report: https://openaccess.city.ac.uk/id/eprint/31373/ \n\n\n\nSpeaker Profile:\n\n\n\nDr. Elinor Carmi is a Senior Lecturer in Data Politics and Social Justice at the Sociology & Criminology Department at City University\, London\, UK. Dr. Carmi is a digital rights advocate\, feminist\, researcher and journalist who has been working\, writing and teaching on data politics\, data literacies\, feminist approaches to media and data\, data justice and internet governance. Currently Dr. Carmi is a POST Parliamentary Academic Fellowship working with the UK’s Digital\, Culture\, Media & Sport (DCMS) Committee on the project she proposed: “Digital literacies for a healthy democracy”. She also works on the Nuffield Foundation project “Developing a Minimum Digital Living Standard”. Dr. Carmi’s work contributes to emerging debates in academia\, policy\, health organisations and digital activism. She gave evidence on Digital Literacy for the House of Lords Committee on Democracy and Digital Technologies. In 2020\, Dr. Carmi was invited by the World Health Organization (WHO) as an expert on data literacy and disinformation to the first scientific discussion on infodemiology. \n\n\n\nWebsite – https://elinorcarmi.com/ \n\n\n\nThe event will be held online\, please register to receive a link to join. There will be a 30 minute talk with a discussion and Q&A afterwards. \n\n\n\n*Please note the event will be recorded* \n\n\n\nAbout Citizens Data Agency\n\n\n\nThe Citizens Data Agency research project is running monthly public events exploring data\, citizen-led privacy\, the impact of emerging technologies on citizens’ data and alternative data governance. We hope the events will be an opportunity to explore these topics through inspiring projects and be an opportunity to learn more about how citizens can be empowered to protect their privacy and data. The events are free to attend and open to everyone. \n\n\n\nWebsite – www.citizensdataagency.co.uk
URL:https://efi.ed.ac.uk/event/citizens-data-agency-event-series-what-mobilises-people-against-big-tech/
LOCATION:Online\, Edinburgh
CATEGORIES:Talk/Discussion
ATTACH;FMTTYPE=image/png:https://efi.ed.ac.uk/wp-content/uploads/2023/10/https___cdn.evbuc_.com_images_607527069_24474023272_1_original.png
END:VEVENT
END:VCALENDAR