Events

This panel opens the fourth in the University’s Futures Conversations series on Artificial Intelligence. In this event, we bring together leading experts from the worlds of science, politics, and civil society to debate what our AI futures may bring, and to develop ideas for what is needed to advance our collective ability to put AI to the best possible use.

This show is part of our Futures Conversations series – Shaping our AI Futures – and explores the delicate and intricately evolving relationship between humans and machines, through a dynamic dance between a dancer and a soft robot as the focal point.

In this panel, speakers will briefly showcase their work on the intersections of technology and sexuality. When we are repeatedly told who and what to desire by apps, platforms and websites the relationship between technology and sexuality feels impossible to escape. We might not know what we really, really want.

A panel discussion among experts on what it means to ‘live well’ with robots.

This audio-visual performance by composer Philly Holmes responds to Limbic, a poetry collection by Peter Scalpello. Through words, sound and imagery, the performance traces a personal narrative exploring intimacy and queer discovery, enacting the confusions and graces of a queer life through hybridity of storytelling forms.

Technomoral Conversations is a “fireside chat” series organised by The Centre for Technomoral Futures. This event will focus on our relationships with machines, from robot pets and therapeutic companions to apps for dating and romance, to technologies embedded in our bodies.

As part of Adversarial Acoustics Unit Test (Martin Disley and Murad Khan) will screen their new short film, investigating the relationship between vocal forensics and machine learning through a mix of critical and speculative aesthetic practice. 

Raw Green Rust are an improvising laptop trio that make abstract glitch-dub that draws on wide ranging musical interests and interconnectedness. For this event, the trio will perform as an ‘Antagonistic Sextet’ with and against their own performance history.