To what extent can human creators exercise control on the technological tools they are using? And how does the control that technology exerts on them influence the creative process?
This event asks how people politically mobilise when subject to data systems that algorithmically govern them but remain opaque.
Join MusAI and The New Real to delve into the intriguing intersection of artificial intelligence and music copyright.
As AI's influence grows, navigating its geopolitics becomes increasingly crucial for shaping the future of nations and their global relationships.
In this event, The New Real's Creative Agent, Caroline Sinders, convenes a group of practitioners who work on and with AI. Together they will explore future landscapes for creative AI and what co-creation between AI and artists will look like in the future.
A panel event about the importance of creating spaces for listening in healthcare.
This Black History Month event will take on a long-discussed topic in the Black and Afrocentric movements across the world: the challenged idea and risks of leadership.
This performance is part of our Futures Conversations series on the Future of Leadership.
Fintech companies are constantly innovating and developing new products and services. However, while many of the technological solutions are user-centred, they are not necessarily human-centred. They typically focus on process, user experience and scalability, but often neglect the deeper needs, emotions, instincts, and social factors that impact people's financial wellbeing. This event challenges fintech leaders ... Read more
The New Real’s research team and newly commissioned artist will present insights into what is happening in this area and new work currently in development using The New Real Observatory Platform, an unboxed AI tool created with and for artists.
Raw Green Rust are an improvising laptop trio that make abstract glitch-dub that draws on wide ranging musical interests and interconnectedness. For this event, the trio will perform as an ‘Antagonistic Sextet’ with and against their own performance history.
The rise of Virtual, Augmented, and Extended Reality (AR/XR) with their applications urge us to investigate whether “catharsis” is still conceivable, in hybrid or entirely artificial environments; and how a reconfigured concept of “catharsis” can be envisioned as part of the co-evolution of human, natural, and artificial life forms.
As part of Adversarial Acoustics Unit Test (Martin Disley and Murad Khan) will screen their new short film, investigating the relationship between vocal forensics and machine learning through a mix of critical and speculative aesthetic practice.
Technomoral Conversations is a “fireside chat” series organised by The Centre for Technomoral Futures. This event will focus on our relationships with machines, from robot pets and therapeutic companions to apps for dating and romance, to technologies embedded in our bodies.
A creative research project led by Beverley Hood, an artist and Reader in Technological Embodiment & Creative Practice at the University of Edinburgh, featuring actor, Pauline Goldsmith. How does sentiment recognition technology actually work and how accurate is it? This performance will reveal how emotional AI databases actually work, behind the smoke and mirrors.
This audio-visual performance by composer Philly Holmes responds to Limbic, a poetry collection by Peter Scalpello. Through words, sound and imagery, the performance traces a personal narrative exploring intimacy and queer discovery, enacting the confusions and graces of a queer life through hybridity of storytelling forms.
In this panel, speakers will briefly showcase their work on the intersections of technology and sexuality. When we are repeatedly told who and what to desire by apps, platforms and websites the relationship between technology and sexuality feels impossible to escape. We might not know what we really, really want.
This show is part of our Futures Conversations series – Shaping our AI Futures – and explores the delicate and intricately evolving relationship between humans and machines, through a dynamic dance between a dancer and a soft robot as the focal point.
This event marks the opening of the Edinburgh Futures Institute’s Spring 2023 season and is by invitation only. After this event, bookings will officially open to everyone for our Spring 2023 programme of events, created in collaboration with partners across the Edinburgh Futures Institute, will run from March to May 2023!
From the classical period through the early modern, tales abounded of distant islands inhabited by demons, devils, evil spirits, and all manner of winged creatures. The Sirens lured sailors to shipwreck with singing voices. The sprite Ariel conjures up a storm. The stories we tell ourselves to make sense of wind. An Island of Sound ... Read more
This is an opportunity for the EFI and its extended community to come together and join a live viewing of the online event, 'The Fight for Climate after Covid-19: A conversation with Alice C. Hill' in a casual and relaxed atmosphere.
What is the impact of AI on the planet? There are reasons to hope that data-driven efficiencies and insights can help produce innovative solutions to the climate emergency, touching areas such as energy, biodiversity monitoring and conservation, transportation, water conservation, and agriculture, among others. On the other hand, there are also real concerns about the ... Read more
Author Gaia Vince draws attention to mass migration and climate change at a time when huge swathes of the world are becoming uninhabitable. ‘Gaia Vince's new book should be read not just by every politician, but by every person on the planet, because it lays out, much more clearly than any existing scientific assessment, the ... Read more
Since 2014, Palestinian dancer and choreographer Farah Saleh has been creating an Archive of Gestures through the re-enactment, transformation, and analyses of bodily gestures and movements. In What My Body Can/t Remember, Saleh explores what her body can and can’t remember of her life in Ramallah in 2002 when, living under curfew, she returned to ... Read more
Edinburgh Futures Institute (EFI) building, The University of Edinburgh, 1 Lauriston Place, Edinburgh, EH3 9EF
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Email: efi@ed.ac.uk
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